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Maps For Wayward Performers: Feminist Readings of Contemporary Live Art Practice in Britain

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Maps For Wayward Performers: Feminist Readings of Contemporary Live Art Practice in Britain
  University of Sussex Marlie. Anne Manclio D. Phil Maps for Wayward Performers feminist readings and contemporary live art practice in Britain  I hereby declare hat this thesis has not been submitted ither n the same or different orm to this or any other University for a degree. Marie-Anne Mancio December 1996  ii Preface The performances hemselves are the main primary sources rom which this research s drawn. This was supplemented y interviews with practitioners, fter-show discussions (both formal and nformal), conversations nd written correspondence ith other figures in the live art world. For secondary ources, consulted all the issues of Performance Magazine and Hybrid, and those (to date) of Live Art Magazine. Occasionally, here have been reviews n fine art journals such as Artforum, as well as articles n local and national newspapers. Where possible, I have seen video documentation, press releases, programmes, photographs and scripts (if available), and consulted Arts Council documents. When citing practitioners, have used he convention f to indicate a pause n speech, and o differentiate rom my omission f words or sentences indicated y [ .... ).  V Abbrieviat ions ACE Arts Council of England ACGB Arts Council of Great Britain I. C. A. Institute of Contempomry Art LAA Live Art Archive LAL Live Art Listings MAC Midlands Arts Centre NRLA Natioml Review of Live Art SBC South Bank Centre sf science iction  vi Illustrations With the exception of the photograph p. 29), all the illustrations are my own composite images, Aerived- tom- appropriated hotographspaintings, and so on. Therefore, none OL these llustrations ave appeared n this forinat anywhere lse. Photograph of Mat Collishaw, Damien Hirst, Mike LandY, Andy Fairhurst 29 and Gary Hume by Timothy Greenfield Sanders Composite mage of publicity photographs f Bobby Baker rom How To ShOP 79 and Drawing on a Mother s Experience photos by Andrew Whittuck); House and Gardens magazine over (October 1996); ext my own and gleaned rom aforementioned ublication Composite mage of publicity photographs of Rose English (by Hugo Glendinning) 99 from My Mathematics, Tantamount Esperance, and The Double Wedding; stamps on stamp mounting paper Composite mage of Gainsborough s ary, Countess owe; photographs f 117 Susan ewis (by Robert Taylor) n Ladies Falling; brown paper Composite mage of photograph of Amie Grfffln (by Chris Nash) in Skylark 136 and photographs of Vivien Leigh as Scarlett O Hara and Clark Gable as Rhett Butler from Gone With The Wind (David O Selznick, 1939) Composite mage of photographs (manipulated) of Mary Duffy (by MarY 154 Duffy) in Cutting The Ties That Bind and Stories OfA Body; text my own; white paper Composite mage of photograph (by Hugo Glendinning) of Richard Lowdon 172 in Showtime; Hugo Glendhu-ýing s publicity photograph (fluorescence added) of Forced Entertainment n Emanuelle Enchanted, ext on signs rom performance; text from Nights in this City; numbers; racing paper
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